名称 Title |
詩第三番「かろみ」 Shi No. 3 "Karomi" |
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仮想演奏 Virtual Performance |
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採譜期間 Term of Taking Out |
H030706-H031222 19910706-19911222 |
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基本属性 Attributes |
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創作経緯 Background and Result of Creation |
江戸時代の俳諧の改革者松尾 芭蕉が晩年に開眼した境地「かろみ」の概念からヒントを得て、可能な限り軽妙な表現により出来るだけ深い感動を提供すべく和風の音楽として創作した。 Basho Matsuo, a great Haiku poem reformer in Edo period finally had created his concept of "Karomi" late in his life. Hinted by this concept, I created this piece with Japanese atmosphere to provide deeper impression with lighter expression as possible as I can. |
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楽曲構成 Structure of Music |
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楽曲イメージ Story of Music |
能・謡曲「俊徳丸・弱法師(よろぼし)」の物語り:継母に棄てられ、乞食坊主になった盲目の息子を父親が探し当てて再会する。 I have an image of Noh play "Shuntoku-maru, Yoroboshi" on this piece: One boy was put away from his home by his mother in law. He became a young blind monk begging on the street. His father tried to find his son and finally they met up each other. |
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利用イメージ Idea of Usage |
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実演奏 Real Performance |
令和弐年5月4日 May 4th, 2020 YAMAHAC7 443Hz by Takehiko Sueoka |
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令和参年2月20日 Feb 2nd, 2021 YAMAHAC7 443Hz by Takehiko Sueoka |
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令和輿年3月12日 Mar. 12th, 2022 YAMAHAC7 443Hz by Takehiko Sueoka |
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令和伍年2月8日 Feb 8th, 2023 YAMAHAC7 443Hz by Takehiko Sueoka |
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Copyright c ISPO/TS 2012- All Rights Reserved Contact to takehikosueoka@gmail.com Using Microsoft Clip Art and logos of Google and DL Market |